When Satire Falls Short

This is the cover for the upcoming issue of The New Yorker, drawn by Barry Blitt, ostensibly in response to a FOX News teaser that described this moment as a “terrorist fist jab,” and the hoopla that followed. I gotta say, this cartoon seems to have fallen well short of “biting cultural satire” and landed in “just as offensive as the thing it’s making fun of” territory. Which is to say that it doesn’t go far enough.
Confused?
A good analogue would be a joke from a recent episode of Family Guy, a show which thrives in the aforementioned territory like lawn jockeys at Jessie Helms’ house. Stewie complains that “this party is worse than a Mexican funeral,” and the scene cuts to a coffin stuffed with about a dozen bodies while the priests reads a long list of Spanish names. Now, if this were a comment on the terrible conditions poor people are forced to live (and die) in, that would be satire, and it might have been intended as such. The problem is that the joke serves just as well as a racist one, and nothing in the joke seems to be poking fun at people who hate Mexicans. It’s just a joke about Mexicans.
For comparison’s sake, it would be extremely difficult for the targets of Stephen Colbert’s satire to embrace anything he says (unless you’re Tom Delay). Even George W. Bush understands Colbert as an attack on conservative bullshit, and he’s twice as dumb as he is evil (which is to say, “very dumb”). Colbert understands that satire works by exaggeration, not just mimicry.
Nothing on this New Yorker cover is unbelievable. It’s the exact sort of thing I’d expect to see on the front page of Drudge Report. You’ll notice that Blitt tried very hard to push the joke, throwing a burning flag in the fireplace and a picture of Osama bin Laden on the wall in a desperate attempt to say, “Hey guys, look, it’s gotta be a joke.” But again, these represent real attacks being launched at the Obamas’ patriotism, and simply reproducing them without modification, without some kind of comic exaggeration, is not satire. It’s doing the other side’s job for them.
UPDATE: I’ve been waiting for Michael Shaw’s analysis, and as usual he does not disappoint.

Sunday, July 13, 2008 at 06:57 PM
Reader Comments (7)
There's a hard to know point in satire where it can even be OK for it simply to be an offensive joke and it's clear that the audience is supposed to gasp and say 'I can't believe you made that joke!'
But that's all about audience. And that has to be part of a pattern of pushing the line and finally going so far that the joke is also about pushing the joke not into any commentary but into a horrible place. A comment that can have the exact form of a racist comment.
This can require that the joke not be a joke but a familiar and already judged statement. Or a statement of a type that has been judged offensive.
South Park does this as well as anyone out there. (I'm not a fan of Family Guy.)
This cover isn't part of a pattern of comments by the magazine or the cartoonist that were moving in this direction. It's like someone just walked in the room and made a bigoted joke. That almost never works.
Yeah, it's hard to put an image in context when it's a standalone cover shot whose predecessor was a guy and his dog at the beach. It's rare that the NYer even does political commentary on the cover (more than "man, airport security is crazy these days...)
This is just the beginning. Hell, we haven't even been to the conventions yet. Things will get a lot uglier in October, when the Republicans have to face the imminent defeat of their oligarchy. Look for a false flag incident in the near future.
It's not reasonable to think that the New Yorker's editors were unaware of the implications of this cover.
I thought it was a picture of Pam Grier activating a magical ring with Al Jolson.
Oh, and walking into a room and making a bigoted joke usually brings the house down. Try it!
That was just my house, Isaac.
Man. I cannot believe that was the first Wonder-Twins joke I've seen connected to the fist bump.
Shape of -- a president who respects human rights!
Form of -- a watershed victory!